Sans Faceted Ragy 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Explorer' by Fenotype, 'Thinking' by Graphicxell, and 'Duotone' by Match & Kerosene (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, industrial, sporty, tough, retro, assertive, impact, ruggedness, machined look, display emphasis, athletic tone, angular, chamfered, stencil-like, compact, blocky.
A compact, heavy sans built from straight strokes and sharp chamfered corners, replacing curves with planar facets. Counters and joins are squared-off and geometric, with consistent stem weight and a tight overall footprint that keeps letters tall and efficient. The rhythm is punchy and mechanical, with hard terminals and notched details that read like cut metal or machined signage. Numerals and capitals share the same faceted construction, producing a uniform, high-impact texture in lines of text.
Best suited to display applications where impact matters: headlines, posters, title cards, sports branding, team-style graphics, packaging, and bold logo wordmarks. It also works well for short labels or signage-style compositions where the angular, machined construction reinforces an industrial or athletic theme.
The tone is bold and no-nonsense, with an engineered, industrial attitude that feels athletic and utilitarian. Its faceted geometry suggests strength and speed, leaning toward a retro sports-and-equipment aesthetic rather than a soft or friendly voice.
The design appears aimed at delivering a rugged, high-energy display voice by translating a straightforward sans skeleton into a faceted, cut-corner geometry. The consistent weight and compact proportions prioritize presence and graphic clarity, creating letterforms that feel engineered and emblem-ready.
The faceting creates distinctive silhouettes and strong edge contrast at corners, which helps headings feel graphic and emblematic. At smaller sizes the tight internal spaces and angular joins can merge visually, so it naturally favors larger settings where the cut details stay crisp.