Print Jebab 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Otter' by Hemphill Type, and 'Sebino Soft' by Nine Font (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, social graphics, playful, friendly, bubbly, casual, youthful, approachability, playfulness, handmade feel, display impact, rounded, chunky, soft, blunt, cartoonish.
A heavy, rounded hand-drawn print with softly blunted terminals and smooth, inflated strokes. Letterforms are mostly monoline in feel, with subtle irregularities that mimic marker or brush pressure without sharp contrast. Counters are generous and circular (notably in O, o, 8, 9), and joins tend to be softened, producing an overall “puffy” silhouette. Proportions are informal and slightly inconsistent by design, with gentle wobble in curves and varied internal spacing that reinforces the handmade rhythm.
Best suited to display applications where a friendly, informal voice is needed—children’s materials, playful brand identities, packaging, posters, and short headline copy. It also works well for stickers, invitations, and social media graphics where bold, rounded shapes help maintain legibility at a glance.
The font reads as warm and approachable, with a lighthearted, cartoon-friendly tone. Its chunky, rounded shapes suggest fun, comfort, and informality, making text feel conversational and upbeat rather than formal or technical.
The design appears intended to deliver a bold, hand-drawn “bubble marker” look that feels spontaneous and approachable. Its simplified forms and rounded terminals prioritize charm and immediate readability over precision, aiming for a lively, human texture in large, attention-grabbing text.
Uppercase forms are simplified and bold, while lowercase retains a playful handwritten logic (single-storey a and g, a straightforward r, and a tall, simple t). The numerals follow the same soft, rounded construction and remain clear at display sizes, though the overall texture becomes dense in long paragraphs due to the heavy stroke weight.