Sans Other Ohpi 7 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Erliga' by Haniefart and 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, sports branding, industrial, retro, techno, utilitarian, game-like, impact, tech styling, space saving, systematic, branding, square, angular, chamfered, modular, stencil-like.
A compact, square-shouldered sans with a modular construction and consistent, monoline stroke weight. Forms are predominantly rectilinear with crisp right angles and occasional chamfered corners, producing an octagonal, cut-metal feel. Counters are tight and often rectangular, and many joins and terminals are blunt and flat, emphasizing a rigid rhythm. Uppercase characters read like a blocky display style, while the lowercase echoes the same geometry with simplified bowls and straight-sided stems; numerals follow the same squared, clipped logic for a cohesive set.
Best suited to headlines, posters, logotypes, and bold short messaging where its angular, modular forms can carry a strong visual identity. It also fits wayfinding, labels, and UI or game-related graphics that benefit from a rigid, techno-industrial look. For longer text, it performs better at larger sizes with generous tracking to preserve clarity in the tight rectangular counters.
The overall tone is mechanical and assertive, with a distinctly retro-digital flavor reminiscent of arcade UI, industrial labeling, and sci‑fi signage. Its hard corners and condensed presence create a no-nonsense voice that feels engineered rather than calligraphic, leaning toward techno and utility aesthetics.
The design appears intended to deliver a compact, high-impact sans that reads as engineered and digital, using square geometry and chamfered cuts to create a distinctive, industrial display voice while maintaining a consistent, systematic construction across letters and numerals.
Spacing and silhouette contrast are driven more by rectangular counter shapes and cut corners than by curves, which keeps the texture even and dense in paragraphs. The sharp geometry and compact apertures make it most effective when given room to breathe and when set at sizes where the squared details remain clear.