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Free for Commercial Use

Sans Contrasted Minah 2 is a light, normal width, high contrast, italic, normal x-height font.

Keywords: headlines, magazines, branding, posters, pull quotes, editorial, fashion, refined, modern, editorial elegance, premium branding, dynamic emphasis, display clarity, calligraphic, slanted, crisp, airy, elegant.


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A sharply slanted, high-contrast italic with clean, open counters and a disciplined, contemporary skeleton. Strokes move from hairline-thin entry/exit strokes to confidently weighted diagonals and curves, producing a crisp, rhythmic texture. Terminals tend to be tapered and blade-like rather than bracketed, and curves are drawn with smooth, continuous modulation. Proportions feel slightly condensed in places with generous spacing and a relatively modest x-height, giving the lowercase an airy, linear flow. Numerals follow the same italic stress and contrast, with streamlined shapes and delicate joins.

Best suited to display typography where its contrast and slant can be appreciated—magazine headlines, fashion and luxury branding, posters, and prominent pull quotes. It can also work for short editorial passages at comfortable sizes where the hairlines remain clear, but it will generally shine most in larger settings and high-quality reproduction.

The overall tone is poised and sophisticated, with a couture/editorial polish and a sense of speed from the pronounced slant. Its fine hairlines and bright negative space read as premium and deliberate, suggesting elegance over robustness. The contrast and calligraphic taper add a subtle dramatic flair without becoming ornamental.

The design appears intended to deliver a modern, editorial italic voice that feels refined and energetic at the same time. By combining strong stroke modulation with restrained detailing and open forms, it aims for high-end clarity and distinctive texture in display-led typography.

The glyph set shown emphasizes sharp diagonals, narrow joins, and fine hairline details, which contribute to a lively, shimmering texture in longer passages. Uppercase forms present a calm, formal presence, while the lowercase introduces more motion through angled stems and tapered terminals. The design stays visually consistent across letters and figures, keeping the same stress and modulation throughout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸