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Free for Commercial Use

Script Pyfo 5 is a regular weight, very narrow, very high contrast, italic, short x-height font.

Keywords: headlines, invitations, branding, packaging, editorial, elegant, romantic, fashion, expressive, classic, calligraphic flair, premium feel, handwritten elegance, headline impact, calligraphic, brush-like, looping, slanted, monoline hairlines.


Free for commercial use
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A calligraphic script with a pronounced rightward slant and dramatic thick–thin modulation. Strokes look brush-driven, with tapered entries and exits, narrow counters, and rounded, ink-trap-like joins where heavy strokes meet. The rhythm alternates between compact, upright-ish stems and long, sweeping curves, giving the line a lively cadence. Capitals are taller and more gestural, often built from a single bold stroke with a few hairline accents, while lowercase forms are narrower and more restrained with occasional loops (notably in letters like g, y, and f). Numerals follow the same calligraphic logic, mixing sturdy downstrokes with delicate terminals.

Best suited to short display settings where the contrast and swashes can be appreciated—such as invitations, boutique branding, beauty/fashion packaging, and editorial titles or pull quotes. It can also work for signature-style wordmarks and highlighted phrases, while longer passages may feel busy due to the tight proportions and high stroke modulation.

The overall tone is polished and expressive, balancing formal calligraphy with a contemporary, fashion-forward smoothness. Its sharp contrast and fluid motion read as romantic and upscale, with enough energy to feel personal rather than purely traditional.

The design appears intended to emulate confident brush calligraphy in a controlled, repeatable form: slender, stylish letterforms with dramatic downstrokes for impact, paired with hairline finesse for elegance. It aims to deliver a premium handwritten feel that reads as intentional and composed rather than casual.

Connectivity appears selective: many lowercase letters suggest cursive structure, but the spacing and terminals also allow for non-joining use depending on letter pairing. The thin hairlines are extremely delicate compared to the bold downstrokes, so the design relies on clean reproduction and ample size to preserve the refined details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸