Print Ekdud 9 is a very bold, normal width, high contrast, italic, normal x-height font.
Keywords: posters, headlines, packaging, album art, sports branding, brushed, gritty, energetic, casual, expressive, handmade feel, high impact, texture emphasis, informal display, dry brush, rough edge, textured, slanted, punchy.
A heavy, brushy lettering style with a consistent rightward slant and strongly textured stroke edges. Letterforms show dry-brush breakup, ragged terminals, and uneven ink coverage that creates a lively, hand-painted rhythm. Strokes alternate between thick, flattened swells and sharper, tapered joins, producing punchy silhouettes and noticeable contrast within each glyph. Spacing and widths vary slightly across characters, reinforcing an organic, handwritten flow while remaining legible in short lines and headlines.
Well-suited for posters, event graphics, bold social media visuals, and packaging where a handmade, high-impact voice is desired. It also works for album/cover art, sports or action-themed branding, and short pull quotes where texture and attitude can be featured. For longer passages, it’s best used sparingly as a display face to avoid visual fatigue.
The overall tone is bold and streetwise, with a raw, handmade character that feels fast, confident, and a bit rebellious. Its rough texture and assertive weight suggest motion and impact, leaning toward informal, attention-grabbing communication rather than refined or quiet typography.
The design appears intended to emulate expressive brush lettering with dry, broken edges and strong, poster-ready weight. It prioritizes immediacy and character—capturing the feel of paint on paper—while keeping forms clear enough for bold display typography.
Capitals are compact and chunky with pronounced brush drag at curves and corners, while lowercase forms keep a simple, readable structure with occasional playful irregularities. Numerals match the same painted texture and weight, helping mixed alphanumeric settings feel cohesive. The dense black shapes can visually fill in at smaller sizes, so the texture and internal counters read best when given enough scale.