Outline Ombo 6 is a very light, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, signage, packaging, technical, retro, playful, clean, futuristic, display impact, tech accent, retro feel, signage clarity, branding, rounded, geometric, boxy, inline feel, open counters.
A geometric outline face built from a single, even contour with rounded corners and squared-off curves. Letterforms are wide and stable, with consistent stroke thickness and generous interior space, giving counters an open, airy presence. Curves are simplified into smooth radiused rectangles (notably in C, O, and G), while diagonals in A, K, V, W, X, and Y stay crisp and straight. Terminals are clean and mostly squared, and the overall construction feels modular and uniform across caps, lowercase, and numerals.
Best suited to display contexts such as headlines, posters, logotypes, badges, and signage where the outline effect is intentional and can be rendered at a comfortable size. It also works well for packaging and UI moments that want a lightweight, technical accent—especially when paired with a solid sans text face for body copy.
The outlined construction and rounded-rect geometry create a light, techy tone with a distinctly retro display flavor. It reads as friendly and game-like rather than formal, balancing precision with softness from the radiused corners. The overall impression is modern-signage meets vintage sci‑fi, emphasizing clarity and novelty over subtlety.
The design appears intended to deliver a bold, recognizable silhouette through an airy outline treatment, using rounded-rect geometry for a cohesive, modern-retro voice. Its consistent construction and simplified curves suggest a focus on high-impact branding and titling, where the hollow contour adds style without relying on heavy fill.
The outline-only drawing benefits from larger sizes where the interior space can breathe; at small sizes the thin contour may visually weaken. Numerals follow the same rounded-rect logic (0, 8, 9) with simple, highly legible silhouettes, and the lowercase maintains a straightforward, single-storey approach in forms like a and g. Spacing in the sample text appears even and steady, supporting long lines without becoming visually busy despite the hollow construction.