Sans Other Konoz 7 is a bold, narrow, low contrast, italic, short x-height font.
Keywords: posters, headlines, logos, packaging, event promos, retro, hand-cut, dynamic, sporty, quirky, attention-grabbing, retro feel, handmade look, sense of speed, display impact, slanted, angular, chunky, compact, asymmetric.
A compact, slanted display sans with chunky strokes and a distinctly hand-cut, wedge-like construction. Terminals often end in sharp points or tapered corners, giving the outlines a faceted, chiseled feel rather than smooth curves. Counters are relatively tight and simplified, with rounded forms (like O, C, G) appearing slightly pinched or notched in places, contributing to an uneven, lively texture. The set shows irregular width distribution and a strong forward rhythm, with uppercase and lowercase sharing a consistent, energetic slant and compact proportions.
Best suited to short-form display use such as posters, headlines, logo wordmarks, packaging, and promotional graphics where the sharp terminals and forward slant can read as intentional texture. It works well in retro-leaning themes, sporty or action-oriented layouts, and editorial callouts, but is less appropriate for long passages of small text due to its compact counters and energetic irregularity.
The overall tone is lively and slightly mischievous, mixing retro sign-painting energy with a handmade, cut-paper boldness. Its slant and sharp terminals create a sense of motion and urgency, while the quirky irregularities keep it informal and characterful rather than strictly technical.
The design appears intended to deliver a bold, fast-moving display voice with a handmade, angular cut to the strokes. It prioritizes personality and momentum over neutrality, aiming to stand out in attention-grabbing settings while maintaining a cohesive slanted rhythm across uppercase, lowercase, and numerals.
Diagonal and curved strokes frequently resolve into small spikes or angled nicks, which becomes more pronounced in letters like S, J, and the diagonals of K and X. Numerals follow the same angular, tapered logic, reading best when given enough size and spacing to keep the pointed joins from visually filling in.