Sans Superellipse Lisy 1 is a regular weight, very wide, monoline, upright, normal x-height, monospaced font visually similar to 'Larabiefont' by Typodermic (names referenced only for comparison).
Keywords: ui labels, dashboards, tech branding, signage, packaging, futuristic, techy, clean, modular, retro, systematic design, digital aesthetic, geometric clarity, interface tone, rounded corners, squared forms, geometric, extended, uniform strokes.
This typeface is built from squared, superellipse-like outlines with consistently rounded corners and a uniform stroke. Curves are minimized in favor of rounded-rectangle construction, giving letters a modular, engineered feel while maintaining smooth joins and soft terminals. Counters tend to be squarish and open, and the overall width is generous, producing a steady, even rhythm in text. Distinctive angular diagonals appear in letters like K, V, W, X, and Y, contrasting with the predominantly boxy bowls and shoulders.
It works well for UI labels, HUD-style interfaces, dashboards, and device or product typography where a structured, geometric look is desirable. The wide proportions and uniform stroke also suit short headlines, identity wordmarks, and modern signage where clarity and a systemized aesthetic matter most.
The tone reads as futuristic and technical with a subtle retro-digital flavor, like interface labeling or sci‑fi signage. Its rounded corners keep it approachable rather than severe, balancing machine precision with friendliness. The wide stance and consistent geometry create a calm, composed voice suited to systems and product aesthetics.
The likely intention is a geometric, system-oriented sans that prioritizes consistency and modular construction, using rounded-rectangle forms to evoke technology and contemporary industrial design while staying legible in continuous text.
The design emphasizes clear, simplified silhouettes and consistent spacing, which helps maintain a stable texture in multi-line settings. Rounded-square forms dominate both uppercase and lowercase, creating a cohesive palette that feels purpose-built for UI-like environments and display lines.