Sans Faceted Jida 3 is a light, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, ui labels, signage, posters, branding, techno, futuristic, modular, industrial, clean, systematic geometry, tech branding, display clarity, modular styling, geometric, angular, chamfered, squared, monoline.
A geometric, monoline sans built from straight segments and chamfered corners, with curves largely replaced by flat facets. Bowls and counters tend toward squared-rectangular forms, and terminals are crisp and mechanical. The rhythm feels engineered: strokes maintain consistent thickness, corners repeat similar cut angles, and apertures are relatively open for a faceted design. Numerals follow the same angular logic, with squared forms and clipped joints that keep the texture uniform across letters and figures.
Best suited to headlines, interface labels, packaging, signage, and short blocks of text where its angular construction can read as intentional and contemporary. It can also work for tech-oriented branding and motion graphics, where the crisp facets and wide proportions create strong, stable word shapes at medium to large sizes.
The overall tone is technical and forward-looking, suggesting digital interfaces, sci‑fi hardware, and engineered systems. Its faceted construction reads precise and utilitarian rather than expressive, giving text a sleek, machine-made presence. The wide stance and sharp geometry also add a subtle retro-futurist flavor reminiscent of display typography used in technology branding and game UI.
This font appears designed to translate a geometric sans into a faceted, planar system—prioritizing repeatable angles, squared counters, and consistent monoline strokes to achieve a clean, engineered voice. The aim seems to be a distinctive display-friendly texture that still maintains straightforward legibility in typical catalog and UI-style settings.
The design leans on consistent corner treatments (notably the clipped joins on rounded letters) to unify the set, producing a distinctive, grid-like silhouette. Uppercase forms appear particularly architectural, while lowercase maintains the same modular structure, keeping multi-line setting visually even and systematic.