Script Itmuv 2 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: invitations, branding, packaging, greeting cards, headlines, elegant, playful, vintage, whimsical, friendly, handwritten polish, decorative elegance, signature look, romantic tone, looping, calligraphic, swashy, monoline feel, rounded.
A formal, hand-drawn script with a right-leaning slant, high-contrast strokes, and a lively baseline rhythm. Letterforms mix smooth, rounded bowls with tapered terminals and frequent looped entry/exit strokes, giving the design a flowing, pen-written feel. Capitals feature pronounced swashes and occasional flourished cross-strokes, while lowercase forms stay compact with narrow proportions and tight internal counters. Numerals and punctuation follow the same calligraphic logic, with curl-like hooks and varying stroke weight that keeps texture animated in text.
Well-suited for invitations, event collateral, and greeting cards where expressive capitals and flowing joins can be showcased. It also works for boutique branding, product packaging, and short headlines or pull quotes that benefit from a handcrafted, decorative signature. For longer passages, it is best used sparingly or at larger sizes to preserve clarity in the tighter counters and looped details.
The overall tone is refined yet approachable, balancing graceful calligraphy with a light, whimsical bounce. Its looping joins and decorative capitals lend a romantic, slightly vintage character, while the compact proportions keep it feeling neat rather than overly ornate.
The design appears intended to emulate polished, pen-written lettering with consistent rhythm and tasteful ornamentation. It prioritizes charm and personality through swashed capitals and looping connectors while maintaining enough regularity to function in short text settings.
Stroke contrast is most apparent on verticals versus hairline curves, and many characters show gentle teardrop-like terminals that suggest a flexible nib or pressure-sensitive pen. The design reads best when allowed a bit of breathing room, as the loops and descenders can create dense textures at smaller sizes.