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Sans Superellipse Sodef 1 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'MC Earlgos' by Maulana Creative, 'Belle Sans' by Park Street Studio, 'Corbert Compact' by The Northern Block, 'TA Modern Times' by Tural Alisoy, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, assertive, condensed, poster-like, industrial, sporty, impact, space saving, modern branding, bold display, blocky, compact, rounded corners, tight spacing, high impact.


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This typeface is built from compact, heavy strokes with gently rounded corners and squared-off curves, giving many forms a rounded-rectangle or superellipse feel. Counters are relatively small and enclosed, and the overall rhythm is dense, with short apertures and a sturdy, engineered silhouette. Capitals read as tall and compressed with simplified construction, while the lowercase follows a similarly compact pattern with a single-storey “a” and “g” and minimal modulation. Numerals are bold and tightly drawn, matching the alphabet’s strong, uniform color and emphasizing a punchy, billboard-ready texture in text.

Best suited for headlines and short display copy where maximum impact is needed, such as posters, promotional graphics, sports branding, packaging, and bold signage. It can also work for logos and wordmarks that benefit from a compact, sturdy silhouette, though extended small-size text may feel dense due to the tight counters and heavy texture.

The overall tone is forceful and attention-getting, with a contemporary, no-nonsense attitude. Its compact shapes and softened corners balance toughness with approachability, producing a modern, slightly industrial voice that feels at home in energetic branding.

The design appears intended to deliver a strong, space-efficient display voice: tall, compact letterforms that hold together in large, high-contrast applications while maintaining a friendly edge through rounded geometry.

In the text sample, the dense stroke mass and small internal spaces create strong typographic color and a clear headline presence, while the tight apertures suggest it will look best when given breathing room at larger sizes. Rounded corners prevent the heavy forms from feeling overly sharp, keeping the texture cohesive across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸