Sans Other Komar 4 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Foro Sans' by Hoftype, 'Binate' and 'Burlingame' by Monotype, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, logotypes, packaging, industrial, cutout, experimental, techy, brutalist, distinctiveness, industrial feel, display impact, graphic texture, stencil-like, notched, geometric, angular, crisp.
A geometric sans with pronounced internal cut-ins and notches that interrupt bowls and stems, creating a stencil-like, segmented construction. Terminals are predominantly straight and squared, with sharp joins and clean, low-contrast strokes. Counters are often partially occluded by horizontal or diagonal breaks, giving letters like O, C, G, and S a distinctive “gapped” rhythm. Proportions feel broadly set with firm verticals and slightly mechanical curves, producing a consistent, engineered texture across both uppercase and lowercase, with similarly treated numerals.
Best suited to display contexts where the segmented construction can be appreciated—headlines, posters, product branding, and logo or wordmark work. It can also work for short UI labels or technical-themed graphics when used at sizes that keep the internal breaks legible.
The repeated cutout motif gives the face a utilitarian, industrial tone with a contemporary, experimental edge. It reads as technical and deliberate—more about graphic attitude than neutrality—suggesting machinery, fabrication, or digital interfaces.
The design appears intended to merge a straightforward geometric sans foundation with a distinctive cutout system, delivering a functional, fabricated look that stands out in contemporary graphic applications.
At larger sizes the notches become a strong signature detail, while at smaller sizes the interrupted strokes and partially closed counters may reduce clarity in dense text. The sample text shows an even baseline and steady spacing, but the cut-ins create lively, high-contrast negative shapes within otherwise solid forms.