Sans Superellipse Ubbek 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, packaging, logo marks, stickers, playful, handmade, retro, chunky, friendly, display impact, handmade feel, retro signage, friendly tone, tactile texture, rounded corners, boxy, soft-edged, stamp-like, irregular.
A heavy, soft-cornered sans with squared, superellipse-like counters and rounded-rectangle construction throughout. Strokes stay broadly even in thickness, but edges show intentional wobble and slight corner swelling, giving an inked or stamped texture rather than a mechanically perfect outline. Proportions are compact with wide shoulders and short joins; many curves resolve into flattened arcs and squared bowls, and counters often read as small, boxy apertures. The overall rhythm is sturdy and blocky, with subtle per-glyph irregularities that keep the texture lively in lines of text.
Well suited to posters, headlines, and short punchy phrases where a bold, friendly personality is desired. It can work effectively on packaging, labels, stickers, and logo marks that benefit from a handmade or stamped impression. For longer passages, it is best used sparingly or at larger sizes to maintain clarity as the dense strokes and compact counters accumulate color.
The font feels playful and approachable, mixing a retro sign-painting vibe with a casual, hand-rendered roughness. Its chunky silhouettes and rounded corners create a friendly, slightly mischievous tone that reads more expressive than neutral. The texture suggests DIY print, rubber-stamp, or marker-made lettering rather than corporate polish.
The design appears intended to deliver a sturdy, rounded-rect geometry with an intentionally imperfect, hand-inked finish. It prioritizes strong silhouette recognition and a fun display voice, pairing geometric consistency with just enough irregularity to feel crafted and tactile.
The alphabet leans on squared forms (notably in rounded letters) and simplified terminals, producing a cohesive, geometric look despite the organic edge variation. In continuous text the dark color builds quickly, making it most effective when given generous spacing and used at display sizes where the softened corners and uneven contours can be appreciated.