Sans Other Pegi 2 is a regular weight, normal width, monoline, italic, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, gaming ui, futuristic, techno, sporty, angular, dynamic, convey speed, signal technology, create edge, stand out, chamfered, geometric, sharp, slanted, modular.
A slanted, monoline sans built from straight strokes and crisp chamfered corners, with squared counters and a lightly modular feel. Curves are largely replaced by faceted segments, producing octagonal bowls and tight, rectilinear apertures. Proportions read as compact and forward-leaning, with consistent stroke thickness and clean joins that emphasize a engineered, vector-like construction. Numerals and capitals follow the same angular logic, yielding a cohesive, display-leaning texture across mixed-case settings.
Best suited to short-to-medium display text where its angular rhythm and forward slant can read as intentional styling—headlines, event posters, esports/sports identities, tech branding, and interface accents. It can also work for logos and packaging that benefit from a sharp, engineered look, while longer paragraphs may feel visually insistent due to the faceted construction.
The overall tone is fast, technical, and contemporary, evoking sci‑fi interfaces, motorsport graphics, and late-20th-century techno aesthetics. The strong slant and clipped corners give it motion and urgency, while the geometric restraint keeps it precise and controlled.
The design appears intended to deliver a modern, high-speed voice through a strictly geometric, corner-cut construction and a built-in sense of motion. Its consistent monoline strokes and modular angles suggest a focus on clean reproduction in digital and graphic environments where a techno aesthetic is desired.
Distinctive zig-zag diagonals (notably in letters like K, X, and W) and squared shapes (such as O/0) reinforce a hard-edged identity. The italic skeleton is integral rather than simply obliqued, and the reduced use of true curves creates a crisp, stencil-adjacent impression without actual breaks.