Print Umgis 1 is a regular weight, very narrow, low contrast, italic, very short x-height font.
Keywords: greeting cards, posters, packaging, social graphics, children’s media, friendly, playful, casual, handmade, quirky, handwritten charm, casual display, personal tone, compact headings, monoline, rounded, looping, bouncy, organic.
This font presents a monoline, hand-drawn print style with a slight rightward slant and softly rounded terminals. Strokes maintain an even thickness with gentle, brushlike curvature, and the letterforms vary subtly in width and posture, reinforcing an informal, human rhythm. Uppercase characters are tall and narrow with simplified structures, while the lowercase shows compact bodies, looping ascenders/descenders, and occasional single-storey forms. Numerals echo the same narrow, handwritten construction, with open counters and smooth curves that keep the texture light and continuous.
It works well for short, expressive copy where a personable, handwritten voice is desired—such as greeting cards, invitations, quotes, posters, and social media graphics. The narrow proportions can help fit longer words into tight spaces on packaging, labels, and headers, while the playful lowercase makes it suitable for kid-friendly or craft-oriented branding.
The overall tone is approachable and upbeat, like quick marker lettering used for notes, labels, or classroom materials. Its lively irregularities and looping forms add charm and personality, giving text a conversational, personal feel rather than a polished or corporate one.
The design appears intended to mimic neat, quick handwriting with consistent pen pressure—prioritizing warmth and legibility over strict typographic uniformity. Its narrow, upright-leaning forms and simple constructions aim to provide an energetic, informal texture for display-oriented text.
Spacing appears naturally uneven in a way that reads as intentional handwriting, producing a slightly bouncy baseline and varied character widths. Curved joins and soft corners dominate, and several glyphs use generous loops (notably in letters with ascenders/descenders), which can become a defining texture at larger sizes.