Print Iggy 3 is a bold, normal width, medium contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, logos, packaging, game titles, medieval, dramatic, eccentric, handcrafted, blackletter, gothic revival, thematic display, handmade texture, vintage signage, fantasy tone, angular, spiky, broken strokes, tilted, dense.
A sharply angled, blackletter-influenced display face with a consistent reverse-leaning slant. Strokes are heavy and faceted, with abrupt terminals, wedge-like cuts, and occasional hooked or notched details that create a chiseled silhouette. Counters are compact and irregular, and letterforms show purposeful variation in width and internal shapes, giving the alphabet an uneven, hand-drawn rhythm. The overall texture is dense and dark on the page, with strong diagonals and lively, broken-stroke behavior rather than smooth curves.
Best suited for short, high-impact settings such as posters, titles, editorial display lines, branding marks, and themed packaging. It works well when you want a medieval or gothic flavor and can give generous size and contrast against a clean background. For longer passages or small sizes, the dense forms and tight counters may reduce readability, so it’s strongest in display typography.
The font projects a medieval, gothic mood with an energetic, slightly unruly edge. Its spiky forms and dramatic tilt feel ceremonial and storybook-like, suggesting fantasy settings, old-world signage, or ominous headlines. The handcrafted irregularities add personality and grit, keeping it expressive rather than formal.
The design appears intended to reinterpret blackletter and medieval sign-painting through a bold, hand-rendered lens. Its reverse-leaning slant and jagged, carved terminals prioritize character and atmosphere over neutrality, aiming to create immediate thematic association and visual drama.
Uppercase forms carry the strongest blackletter cues with fractured bowls and angular shoulders, while lowercase maintains the same cut-paper/inked feel with tight apertures and pointed joins. Numerals follow the same stylized language, leaning and tapering with crisp corners, which helps them match display compositions. Spacing in text appears intentionally uneven, reinforcing the handmade character and emphasizing the font’s display-first intent.