Font Hero

Free for Commercial Use

Slab Unbracketed Odhi 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Eckhardt Slabserif JNL' by Jeff Levine, 'FTY JACKPORT' by The Fontry, 'Palo Slab' by TypeUnion, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, logotypes, packaging, western, vintage, rugged, industrial, bold, high impact, space saving, signage feel, retro display, blocky, squared, condensed, chunky, sturdy.


Free for commercial use
Customize the font name

A condensed, heavyweight slab-serif with squared terminals and unbracketed serifs that read as blunt caps on stems. Strokes stay largely uniform, producing a dense, poster-like color, while corners are slightly softened for a stamped, cut-from-solid feel rather than a sharp geometric one. Counters are compact and apertures tend to close up, emphasizing verticality and giving lines of text a tight, rhythmic texture. Numerals and capitals share the same stout, rectangular construction, with short crossbars and wide slabs that reinforce the font’s rigid, block-built silhouette.

Best suited to display typography such as posters, headlines, storefront-style signage, and bold wordmarks where a compact, high-impact look is needed. It also works well on packaging or labels that benefit from a vintage-industrial or Western-leaning tone.

The overall tone is assertive and workmanlike, evoking old poster type, frontier signage, and utilitarian labeling. Its compressed proportions and heavy slabs create a confident, attention-grabbing voice with a distinctly retro, no-nonsense character.

The design appears intended to deliver maximum presence in limited horizontal space, using sturdy slab serifs and uniform stroke weight to create a strong, printable, poster-ready texture. Its squared, slightly softened forms suggest an aim toward classic sign lettering and period-inspired display type rather than delicate text reading.

The strong vertical emphasis and small internal spaces make it most effective when given generous tracking and adequate size, especially in longer lines. The design’s consistent, squared detailing helps it hold together well in bold display settings where impact matters more than fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸