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Free for Commercial Use

Sans Normal Vorip 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alleyn Pro' by AVP, 'Mesveda' by Agny Hasya Studio, 'Dikta Neue' by Atasi Studio, 'AG Royal' by Berthold, 'Branden' and 'Branden Rounded' by Craft Supply Co, 'SK Reykjavik' by Salih Kizilkaya, and 'Ggx88' by Typodermic (names referenced only for comparison).

Keywords: posters, packaging, branding, headlines, social media, friendly, casual, playful, approachable, energetic, friendly voice, hand-drawn feel, display impact, approachable branding, rounded, soft terminals, brushy, informal, bouncy.


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A rounded, forward-slanted sans with a soft, brush-like stroke that stays largely even in thickness. Curves are generous and slightly squashed, with softened corners and tapered terminals that give many letters a hand-drawn feel. The lowercase shows simple, single-storey forms (notably a and g), open counters, and a lively baseline rhythm; the capitals are compact and smoothly contoured, with broad bowls and rounded joins. Numerals match the letterforms with curvy silhouettes and friendly, slightly irregular proportions.

Best suited to attention-grabbing display roles such as posters, packaging, branding accents, and short headlines where its friendly slant and rounded forms can carry personality. It also works well for social graphics, casual signage, and playful product messaging where an informal, hand-touched look is desirable.

The font reads as warm and upbeat, with an informal, personable tone that suggests handwriting rather than strict geometric construction. Its rounded shapes and gentle tapering convey friendliness and motion, making text feel conversational and lighthearted.

Likely designed to provide a lively, handwritten-leaning sans voice with smooth, rounded shapes and a consistent, readable silhouette. The goal appears to be an approachable display style that feels energetic and modern without sharp edges or formal structure.

The slant and soft terminals create strong directional flow, which helps short phrases feel dynamic but can make long paragraphs feel busy at smaller sizes. The design’s slightly uneven, organic stroke behavior contributes to charm and approachability, especially in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸