Sans Superellipse Otdef 13 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Havard' by Adam Fathony, 'Gubia' by Graviton, 'Crimestopper JNL' by Jeff Levine, 'Gilkons' by Letterhend, 'Conthey' and 'Conthey Inline' by ROHH, 'Getafe' by Trequartista Studio, and 'Rotundus' and 'Rotundus Rounded' by dayflash (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, industrial, playful, punchy, friendly, impact, compactness, retro styling, geometric clarity, rounded, compact, blocky, soft-cornered, high-contrast counters.
This typeface is built from compact, rounded-rectangle forms with soft corners and uniform stroke weight throughout. Curves resolve into superelliptical bowls and squared-off terminals, creating a sturdy, geometric rhythm. Counters are relatively small and rounded, and the overall texture is dense and even, with tall lowercase proportions that keep words readable despite the heavy weight. Numerals match the same rounded-block construction, with simple, bold silhouettes suited to prominent display settings.
Best suited for headlines, branding, and short statements where bold shapes and a compact footprint are advantageous. It works well on posters, packaging, labels, and signage that benefit from a strong, rounded geometric voice. For extended reading sizes, the dense texture and tight counters suggest using generous tracking and line spacing.
The overall tone feels retro-industrial and confident, combining machine-like geometry with approachable rounded corners. Its chunky silhouettes and tight counters give it a punchy, poster-forward presence, while the softened edges keep it from feeling harsh. The result is playful and attention-grabbing, with a distinctly graphic, sign-like flavor.
The letterforms appear designed to deliver maximum impact with a compact, modular geometry—balancing strict, rounded-rect construction with friendly corners for a versatile display voice. The consistent stroke weight and sturdy silhouettes suggest an intention to remain clear at large sizes and to reproduce reliably across print and screen contexts.
The design emphasizes strong verticals and squared curves, producing a consistent, modular feel across caps, lowercase, and figures. In longer lines, the dense color and narrow interior spaces can make it feel heavy, which reinforces its display-first personality.