Sans Superellipse Pymiz 12 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Myhota' by Ingrimayne Type, 'Molde' by Letritas, and 'PG Gothique' by Paulo Goode (names referenced only for comparison).
Keywords: ui labels, wayfinding, editorial, data display, posters, modern, technical, clean, neutral, efficient, space saving, clarity, system design, neutral voice, geometric consistency, condensed, monoline, rectilinear, rounded corners, compact.
A condensed, monoline sans with a tall, compact stance and generous vertical emphasis. Curves resolve into rounded-rectangle (superellipse-like) bowls and counters, producing squared-off rounds in letters like C, O, and G. Strokes stay even with minimal contrast, terminals are mostly straight and blunt, and joins are crisp, giving the overall texture a controlled, engineered rhythm. Spacing appears tight but orderly, supporting dense setting without becoming visually noisy.
Well-suited to UI and product typography where space is limited—navigation, buttons, captions, and compact headings benefit from its condensed proportions and even stroke weight. It also works for signage and wayfinding systems, data-heavy layouts, and modern editorial design where a controlled, technical voice and efficient line lengths are desired.
The tone feels contemporary and utilitarian—confident, direct, and slightly industrial. Its squared-round geometry reads as precise and system-minded, suggesting interfaces, infrastructure, and information-forward communication rather than expressive or calligraphic warmth.
The design appears intended to deliver a space-saving sans with a geometric, squared-round construction that stays highly consistent across letters and numbers. Its restrained detailing and uniform strokes suggest a focus on clarity, repeatable rhythm, and dependable performance in contemporary layouts.
Numerals follow the same compact, squared-round logic, with clear, sturdy shapes suited to scanning. The overall silhouette favors verticality and narrow letterforms, which can help conserve horizontal space while keeping a consistent, disciplined color in text.