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Stencil Absi 2 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica Arabic' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: branding, posters, headlines, packaging, signage, technical, modern, utilitarian, industrial, minimal, stencil styling, industrial cue, display clarity, systematic construction, geometric, monoline, segmented, modular, crisp.


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A clean, monoline sans with a geometric skeleton and consistent stroke weight. Forms are segmented by deliberate breaks that act as stencil bridges, creating small gaps in bowls, stems, and cross-strokes while preserving clear letter identities. Curves are smooth and near-circular, counters are open, and terminals read as blunt, engineered cuts rather than tapered finishes. Overall spacing and rhythm feel orderly and modular, with a slightly constructed, sign-like presence across capitals, lowercase, and numerals.

Well-suited to branding systems that want a constructed, industrial flavor, as well as posters and headline typography where the stencil detailing can be appreciated. It can also work for packaging, wayfinding, and display UI moments that benefit from a precise, technical accent.

The broken strokes give the face a precise, engineered tone that feels contemporary and technical. Its modular interruptions add a subtle industrial edge without becoming distressed, keeping the voice controlled, functional, and design-forward.

The design appears intended to merge a neutral geometric sans foundation with a disciplined stencil system, producing a contemporary display face that signals fabrication, engineering, and cut-letter construction while staying clean and readable.

The stencil breaks are applied systematically across the character set, producing a consistent visual motif that remains legible in words and longer lines. The design reads best when the gaps are clearly resolved, reinforcing its crafted, cut-out aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸