Sans Superellipse Abbaz 13 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Maiden Sans' by Deltatype, 'FF Sero' by FontFont, 'Epoca Pro' by Hoftype, 'Calton' by LetterMaker, 'Prelo Pro' by Monotype, 'NuOrder' by The Northern Block, and 'Olivine' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, product design, branding, editorial, signage, clean, modern, neutral, techy, friendly, clarity, system consistency, geometric modernity, approachability, versatility, geometric, rounded, superelliptic, crisp, monoline.
This typeface is a geometric sans with rounded-rectangle (superellipse) construction throughout its curves. Strokes are largely monoline with clean terminals and minimal modulation, producing an even, stable texture in text. Bowls and counters tend toward squarish rounds rather than perfect circles, while straight-sided forms keep a crisp, engineered silhouette. Spacing appears measured and consistent, supporting an orderly rhythm across both the uppercase grid and paragraph sample.
It suits interface typography and product ecosystems where consistency and clarity are priorities, and it can also serve as a neutral brand voice for technology, services, and contemporary consumer goods. The even color and geometric stability make it comfortable for short paragraphs, labels, navigation, and informational signage.
The overall tone is modern and matter-of-fact, with a subtle friendliness coming from the softened corners and open counters. Its controlled geometry reads as contemporary and tech-adjacent rather than expressive or calligraphic, making it feel dependable and straightforward.
The design appears intended to provide a clean, modern sans built on superelliptic geometry, balancing precise construction with softened corners for approachability. It aims for a calm, readable texture that remains cohesive across letters and numerals in practical, everyday settings.
Uppercase forms emphasize simple, architectural shapes and clear joins, while lowercase maintains open apertures and compact, rounded counters that preserve legibility at text sizes. Numerals follow the same squarish-round logic, giving figures a cohesive, system-like feel when mixed with text.