Solid Teri 16 is a very bold, normal width, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, album art, playful, retro, chunky, quirky, punchy, impact, novelty, retro flavor, graphic texture, playfulness, geometric, blocky, rounded, notched, stencil-like.
A heavy, geometric display face built from chunky silhouettes with rounded bowls and abrupt, notched cut-ins. Many characters show collapsed counters and small internal slits or punctures rather than fully open apertures, creating dense, poster-like letterforms. Strokes stay broadly uniform, with hard corners mixing against circular arcs, and a recurring “bite” motif appears in curved letters and at joins. Spacing and sidebearings feel inconsistent by design, giving the alphabet an uneven, hand-cut rhythm while remaining firmly upright.
Best suited to short, high-impact text such as posters, headlines, event graphics, logos, and packaging where its solid interiors and notched forms can be appreciated. It also works well for retro-themed branding, album covers, and playful display settings that benefit from dense, graphic letterforms.
The overall tone is loud and mischievous—more toy-box and arcade than formal signage. Its dense black shapes and quirky notches read as bold, slightly rebellious, and attention-grabbing, with a distinct retro-futurist and cut-paper sensibility.
The design appears intended to create maximum visual mass with a distinctive irregular texture, using collapsed counters and small slits to suggest cutouts and “bitten” shapes. Its geometry prioritizes graphic personality over conventional readability, aiming for bold, memorable display impact.
At larger sizes the distinctive cut-ins and collapsed interiors become the main texture, while at smaller sizes those details can merge into solid masses. Round letters (O, C, G, e, o) emphasize the “bitten” geometry, and diagonals (K, V, W, X, Y) read as thick wedges that reinforce the font’s compact, sculpted feel.