Print Gagah 5 is a bold, narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, social media, kids branding, playful, handmade, friendly, casual, lively, handmade warmth, casual emphasis, expressive display, approachable branding, brushy, rounded, chunky, organic, bouncy.
A chunky handwritten print with rounded terminals and an organic, brush-like stroke that shows subtle wobble and taper. Letterforms are compact and slightly condensed, with uneven widths and a lively baseline that keeps the texture informal. Counters are generally open and simple, while curves are soft and slightly irregular, reinforcing a drawn-by-hand feel. The figures follow the same casual construction, with straightforward shapes and slightly inconsistent stroke edges that add character.
Works best for short to medium-length copy where a friendly, handcrafted impression is desired—such as posters, product packaging, café or retail signage, social media graphics, and casual branding. It can also support children’s or hobby/craft contexts, especially in headlines, pull quotes, and labels where texture and personality are assets.
The overall tone is cheerful and approachable, leaning toward playful informality rather than polished precision. Its uneven rhythm and soft shapes give it a warm, personal voice that feels conversational and crafty. The bold presence reads confident and energetic without becoming aggressive.
The design appears intended to mimic a quick marker or brush-pen print: bold, readable shapes with deliberate irregularities that communicate warmth and spontaneity. It prioritizes expressive texture and an informal voice over strict geometric consistency, aiming to feel human and inviting in display use.
In text, the font creates a dense, high-ink texture with clear word shapes and a noticeably handmade rhythm. The uppercase has a poster-like presence, while the lowercase maintains a casual note-like quality; together they suit mixed-case settings where character is more important than neutrality.