Sans Faceted Ilny 7 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, posters, gaming ui, futuristic, techno, angular, playful, geometric, sci‑fi tone, constructed geometry, distinctive display, digital aesthetic, faceted, chamfered, polygonal, modular, rounded terminals.
A geometric sans built from straight strokes and crisp planar facets, with curves largely replaced by angled segments. The monoline construction is consistent, while corners are softened with small radiused joins and rounded terminals that prevent the sharp geometry from feeling brittle. Proportions skew slightly narrow and tall in many letters, with simplified counters and a deliberately constructed rhythm; diagonals are prominent (A, K, V, W, X, Y) and bowls often read as polygonal outlines (O, D, P). Spacing appears even and the overall texture is clean, though several glyphs use stylized breaks and cut-ins that give the alphabet a modular, assembled look.
Best suited for display sizes where the faceted details and stylized apertures remain legible: logos, titles, posters, album/film artwork, and tech or gaming interface accents. It can also work for short UI labels or packaging callouts when a geometric, futuristic personality is desired, but its unconventional letterforms are less ideal for extended body text.
The faceted geometry and engineered joins evoke a sci‑fi/tech interface tone, with a light, game-like energy rather than a strictly corporate feel. Its angular language suggests speed and precision, while the rounded stroke endings add approachability and a slightly retro-digital character reminiscent of arcade or early computer aesthetics.
The design appears intended to translate a constructed, polygonal aesthetic into a readable sans, balancing sharp, planar structure with slightly rounded finishing. It aims to deliver a distinctive sci‑fi voice while keeping stroke weight consistent and maintaining a coherent rhythm across uppercase, lowercase, and numerals.
Distinctive constructions—such as the triangular counters and chiseled apertures in letters like B, R, S, and G—prioritize stylistic voice over conventional typographic neutrality. The digit set follows the same polygonal logic, with squared forms and diagonal cuts that keep the numerals visually aligned with the uppercase skeleton.