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Free for Commercial Use

Inline Doli 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Meta Headline' by FontFont, 'Whitney' by Hoefler & Co., 'Avenir Next Paneuropean' by Linotype, 'Fact' by ParaType, 'Akwe Pro' by ROHH, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, playful, retro, posterish, punchy, cartoonish, impact, decoration, vintage feel, signage look, brand presence, rounded, blocky, soft corners, heavy terminals, outlined.


Free for commercial use
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A heavy, blocky display face built from rounded-rectangle forms and broad strokes, with a consistent inline cut creating a hollowed, engraved look. Curves are generous and corners are softened, while straight-sided letters keep a stable, compact structure. Counters are relatively small due to the thick build, and the inline detail follows the main contours to reinforce shape without adding contrast. Overall proportions feel sturdy and slightly condensed in some letters, prioritizing impact and silhouette clarity over fine detail.

Best suited to display work where the inline detail can be appreciated: posters, headlines, branding marks, packaging, and bold signage. It also works well for short emphatic phrases, labels, and titles where a decorative, high-impact presence is desirable.

The inline carving and chunky construction give the type a lively, vintage-leaning personality with a sign-paint and poster sensibility. It reads as fun and assertive, with a playful theatricality that suits attention-grabbing headlines more than quiet text settings.

The design appears intended to deliver maximum visual weight while adding character through a carved inline, mimicking an engraved or outlined-inlay treatment. Its rounded, sturdy geometry suggests a goal of friendly, approachable impact for attention-oriented display typography.

The numerals and capitals maintain the same carved-through motif, producing a consistent “cutout” rhythm across the set. The inline stays near the interior of strokes, creating a clear two-tone effect at display sizes while keeping the outer silhouette bold and legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸