Sans Faceted Tyna 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun and 'Tradesman' by Grype (names referenced only for comparison).
Keywords: headlines, posters, logotypes, titles, packaging, techno, industrial, sci‑fi, tactical, retro, impact, technical tone, geometric system, interface style, display clarity, octagonal, angular, beveled, stencil‑like, square.
A compact, geometric sans with squared construction and clipped, faceted corners that substitute for curves. Strokes are consistently thick and even, producing a sturdy, monoline silhouette with minimal contrast. Counters tend toward squarish and octagonal shapes, with frequent chamfers on joins and terminals; diagonals (notably in K, V, W, X, Y) keep the same weight and read as clean, engineered cuts. The lowercase follows the same modular logic, with single‑storey forms and short, squared terminals, while figures are blocky and highly rectilinear for a signage-like rhythm.
Best suited to display sizes where the angular details and chamfered corners can be appreciated—such as headlines, poster typography, game/UI titles, tech branding, and product or packaging labels. It can also work for short blocks of text when a distinctly technical, industrial voice is desired, though the strong geometry will remain a dominant stylistic presence.
The overall tone feels mechanical and futuristic, evoking digital interfaces, industrial labeling, and angular sci‑fi aesthetics. Its faceted geometry adds a hardened, utilitarian character that reads confident and technical rather than friendly or handwritten.
The design appears intended to deliver a robust, engineered look by translating conventional sans forms into a faceted, corner-cut system. By keeping stroke weight consistent and emphasizing straight segments and chamfers, it aims for high-impact readability with a distinctly technological personality.
Spacing appears generous enough to keep the heavy shapes from clumping, and the repeated chamfer motif creates strong stylistic cohesion across caps, lowercase, and numerals. The design favors clarity through simplified, modular forms, with a distinctly “cut metal” impression in rounded letters such as C, G, O, and S.