Font Hero

Free for Commercial Use

Outline Ragy 6 is a very light, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, logos, packaging, technical, retro, architectural, futuristic, clean, display impact, graphic effect, modern signage, tech aesthetic, monoline, outlined, geometric, rounded corners, open counters.


Free for commercial use
Customize the font name

A monoline outline design built from a single, consistent contour that traces the outer edges of each letterform, leaving the interior open. The shapes lean geometric with squared structure softened by rounded corners and smooth curves in bowls and numerals. Terminals are clean and mostly horizontal/vertical, with occasional angled joins in diagonals (V/W/X/Y) that keep the rhythm crisp. Counters are generous and the spacing feels airy, giving the outlines room to read without filling in.

This font is best suited for display use such as headlines, posters, large-format signage, and branding marks where the outline effect can be appreciated. It can work well on packaging or tech-themed graphics when paired with a solid sans for body copy. In longer text or at small sizes, the thin outline construction may lose clarity, so it’s most effective in short phrases and high-contrast settings.

The overall tone feels technical and modern, with a hint of retro display styling reminiscent of drafting, signage, and sci‑fi titling. Its hollow construction reads light and sleek, projecting a cool, precise personality rather than warmth or softness. The wide stance and clean geometry add an architectural, engineered vibe.

The design appears intended to deliver a lightweight, open-outline look with geometric clarity and a contemporary/retro-futuristic flavor. By keeping outlines consistent and avoiding interior fills, it emphasizes silhouette and spacing, making it a natural choice for bold graphic layouts that want a sleek, engineered feel.

Because the strokes are defined only by an outer contour, legibility depends heavily on size and background contrast; the design reads best when the outline has enough pixel/print resolution to stay continuous. The numerals are similarly geometric and open, matching the uppercase in presence, while the lowercase keeps the same outline logic and rounded joins for consistency.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸