Sans Superellipse Fybey 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Lupulus' by W Type Foundry (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, logos, athletic, action, retro, arcade, tactical, impact, speed, branding, display, techno, slanted, angular, chamfered, blocky, compact.
A heavy, forward-slanted sans with compact, squarish counters and rounded-rectangle construction. Strokes are uniform and dense, with frequent chamfered corners and wedge-like terminals that create a faceted, cut-from-block feel. Curves are tightened into superellipse-like bowls, and joins tend to be sharp and assertive, producing a rhythmic, slightly compressed silhouette in both uppercase and lowercase. Numerals match the same blocky geometry, with clear, open interior shapes and strong horizontal emphasis.
Best suited to display roles where strong presence and motion are desirable: sports identities, esports/event graphics, impactful posters, and bold marketing headlines. It can also work for short UI labels or packaging callouts when you want a compact, high-energy voice, but it will be most effective in larger sizes where its angled cuts and squarish counters remain distinct.
The overall tone is energetic and forceful, reading as sporty and action-oriented. Its hard corners and slanted stance suggest speed and impact, while the softened rectangular curves keep it from feeling mechanical or sterile. The result feels at home in competitive, game-adjacent, and retro-industrial contexts.
This font appears designed to deliver maximum impact with a streamlined, speed-leaning silhouette. The superellipse-based bowls and chamfered corners balance toughness with controlled geometry, aiming for a modern athletic/arcade feel that stays legible while looking aggressive and dynamic.
The design relies on consistent corner treatment and angled cuts to maintain coherence across letters, giving text a distinctive, punchy texture. The italic slant is integral rather than an afterthought, reinforcing a continuous forward motion across words. At smaller sizes the dense shapes may prioritize attitude over long-form comfort, while at display sizes the facets and counters become more characterful.