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Free for Commercial Use

Cursive Eprum 4 is a light, narrow, very high contrast, upright, very short x-height font.

Keywords: invitations, branding, packaging, headlines, quotes, whimsical, elegant, artful, vintage, playful, handmade feel, calligraphic charm, expressive display, personal tone, calligraphic, spidery, looping, delicate, airy.


Free for commercial use
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This font has a hand-drawn, calligraphic build with extremely thin hairlines contrasted against occasional heavier strokes, creating a spidery, ink-on-paper look. Letterforms are upright but irregular, with variable character widths and a lively rhythm that alternates between restrained capitals and more gestural lowercase shapes. Curves are narrow and elongated, terminals often taper to sharp points, and many glyphs show subtle wobble and asymmetric bowls that reinforce the handmade construction. The lowercase features frequent loops and extended ascenders/descenders, and numerals follow the same high-contrast, lightly sketched style.

It works best for short display settings such as invitations, greeting cards, boutique logos, product packaging, and pull quotes where the delicate contrast can be appreciated. For longer passages, larger sizes and generous line spacing help maintain clarity while keeping the handwritten character.

The overall tone feels whimsical and refined at the same time—like informal calligraphy used for personal notes, boutique branding, or storybook titling. Its delicate strokes and looping gestures convey charm and individuality, with a slightly antique, romantic flavor rather than a modern minimalist mood.

The design appears intended to mimic quick, elegant pen lettering—balancing calligraphic contrast with an intentionally imperfect, hand-rendered feel. It prioritizes personality and graceful motion over strict uniformity, aiming for expressive display typography that reads as personal and crafted.

In running text, the lively stroke modulation and narrow, wiry counters create strong texture but can reduce readability at small sizes, especially where hairlines get very thin. Capitals are simpler and more display-oriented, while the lowercase carries most of the personality through loops and flourished joins; spacing appears intentionally varied to preserve an organic handwritten cadence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸