Sans Normal Kyrub 8 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'City Boys' and 'City Boys Soft' by Dharma Type, 'Telder HT Pro' by Huerta Tipográfica, 'Plymouth Serial' by SoftMaker, 'Multi' by Type-Ø-Tones, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, playful, friendly, bouncy, sporty, retro, impact, approachability, motion, display readability, bold branding, rounded, soft corners, chunky, upright stress, high-ink.
A heavy, rounded sans with a pronounced forward slant and broad proportions. Strokes are thick and smoothly modeled with gentle corner rounding, producing compact counters and a high-ink silhouette. Curves are generous and slightly squarish at terminals, while joins stay clean and blunt, keeping the rhythm even across the alphabet. The lowercase shows a sturdy, compact build with clear dots and simplified bowls, and the numerals follow the same chunky, rounded geometry for a cohesive set.
Well-suited for headlines, posters, and branding where a bold, friendly impact is needed. The chunky, rounded construction also works effectively on packaging and labels, as well as energetic themes like sports, youth-oriented campaigns, and promotional graphics.
The overall tone is upbeat and approachable, with a slightly sporty, poster-like energy. Its bold, rounded forms and consistent slant create a lively, informal voice that feels more fun than formal, leaning toward a nostalgic, display-forward personality.
The design appears intended to deliver maximum presence with a warm, rounded texture, combining a strong slant with thick strokes to create motion and immediacy. Its simplified, consistent shapes suggest a focus on display readability and personality over restrained text setting.
Because the counters are tight and the strokes are substantial, the design reads best when given room—larger sizes or generous tracking help preserve clarity in letters like a/e/s and in dense text blocks. The slant is strong enough to add motion on its own, so it pairs naturally with simpler supporting faces.