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Wacky Hymy 3 is a regular weight, normal width, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, album covers, packaging, event promo, playful, quirky, retro, whimsical, theatrical, stand out, visual texture, decorative voice, logo character, headline impact, flared, cutout, high-waistline, bulbous, scalloped.


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This typeface is built from bold, sculpted forms with dramatic, carved-out counters and a consistent midline “waist” that slices many letters into top and bottom masses. Strokes flare into wedge-like terminals and often pinch at joins, creating hourglass silhouettes and teardrop-shaped interior spaces. Curves are broad and bulbous while straights tend to taper and splay, giving the alphabet an intentionally uneven, display-driven rhythm. The lowercase follows the same ornamental logic with single-storey a and g, a narrow, tapered i/j with round dots, and numerals that echo the split-bowl and flared-terminal construction.

Best suited to short, high-impact settings such as posters, headlines, album/playlist artwork, packaging, and event promotion where its sculptural silhouettes can be appreciated. It can also work for logos or wordmarks that want a playful, eccentric signature, but it is less appropriate for dense text or small UI copy.

The overall tone feels mischievous and stagey, like stylized cut-paper shapes or playful signage. Its exaggerated contrast and waistline cutouts produce a bouncy, animated texture that reads as intentionally odd and attention-seeking rather than neutral or utilitarian.

The design intent appears to be creating a one-of-a-kind, decorative display face that foregrounds silhouette and negative-space carving over conventional readability. By repeating a strong waistline cut and flared terminals across caps, lowercase, and figures, it aims for a cohesive yet deliberately offbeat voice that stands out instantly.

The design relies heavily on negative-space “bites” and internal ovals, so letterforms can appear to shimmer or alternate between black mass and white incision, especially in repeated shapes (e.g., m/w and rounded letters). The distinctive midline notch is a strong identifying motif that unifies the set but also makes the texture busy at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸