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Sans Faceted Lima 3 is a regular weight, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, gaming, ui labels, techno, futuristic, industrial, game ui, sci‑fi, geometric stylization, sci‑fi tone, system consistency, display impact, angular, geometric, octagonal, chamfered, monoline.

A faceted, geometric sans built from straight strokes and chamfered corners, replacing curves with crisp planar cuts. Strokes are consistently monoline with minimal contrast, and bowls and counters tend toward octagonal, squared forms. The design feels broadly proportioned with open apertures and sturdy verticals, while diagonal elements are clean and decisive in letters like K, V, W, X, and Y. Uppercase forms read like engineered signage, and the lowercase follows the same angular logic with simplified, boxy constructions and short, squared terminals.

Well-suited to display typography where its angular geometry can carry the visual identity—such as headlines, posters, tech or industrial branding, and game or sci‑fi themed graphics. It can also work for interface labels and short UI strings where crisp, faceted forms reinforce a digital or engineered mood.

The overall tone is technical and forward-looking, with a hard-edged, fabricated character that suggests machinery, digital interfaces, and sci‑fi environments. Its sharp facets and modular rhythm give it a disciplined, utilitarian confidence rather than a humanist warmth.

The design intention appears to be a clean, modern sans that conveys a constructed, high-tech feel by systematically substituting curves with chamfered facets. By keeping stroke weight even and shapes tightly geometric, it aims for a coherent, machine-like texture that remains legible while projecting a distinct sci‑fi/industrial personality.

The faceting is applied consistently across rounds (C, G, O, Q, 0, 8, 9), producing a distinctive octagonal silhouette at both display and text sizes. Numerals are similarly constructed with clipped corners and clear internal spaces, reinforcing a cohesive, system-like aesthetic. The sample text shows stable word shapes with a pronounced geometric rhythm, making the style most noticeable in headlines and short passages.