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Inline Ehry 2 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, signage, packaging, art deco, retro, neon, playful, display, attention grabbing, retro styling, signage feel, layered depth, decorative impact, geometric, rounded, monolinear, layered, outlined.


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A geometric sans display with heavy, rounded forms and a consistent inline highlight that reads like a carved channel running through each stroke. Curves are smooth and circular (notably in C, O, Q, and numerals), while terminals are clean and squared off where needed, giving a crisp, signlike finish. The inline treatment varies with the stroke direction, creating a double-stripe effect on verticals and a centered track through bowls and arcs; counters remain generous and open, supporting clarity at larger sizes. Overall spacing feels even and regular, with a sturdy rhythm and a distinctly constructed, layered look.

Best suited for display roles where the inline detail can be appreciated: posters, event titles, storefront or wayfinding-style signage, packaging, and short logotypes. It also works well for retro-themed social graphics and title cards, especially when paired with high-contrast color palettes or effects that accentuate the inner channel.

The inline carving and rounded geometry evoke classic marquee and storefront lettering, with an Art Deco-to-midcentury flavor. It feels upbeat and attention-seeking—more celebratory than formal—suggesting nightlife signage, retro packaging, or stylized headline typography. The look can read as illuminated or engraved depending on color treatment, lending it a lively, graphic presence.

The font appears designed to deliver a bold, decorative voice through a consistent inline cut that adds depth and a sense of lighting or engraving without relying on contrast. Its geometric skeleton and rounded proportions prioritize strong silhouettes and immediate recognizability, aiming squarely at eye-catching, era-referential display typography.

The design emphasizes circular construction across both uppercase and lowercase, and the numerals follow the same architectural logic, keeping the set visually cohesive. Diagonals (V/W/X/Y and 4/7) maintain the inline channel cleanly, reinforcing the engineered, layered aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸