Script Rafu 6 is a regular weight, very narrow, very high contrast, upright, very short x-height font.
Keywords: invitations, branding, headlines, packaging, logotypes, elegant, whimsical, refined, airy, vintage, sophistication, romance, decorative flair, boutique tone, display emphasis, calligraphic, looped, delicate, hairline, flourished.
A calligraphic script with pronounced thick–thin modulation and long, tapered hairlines that occasionally extend into fine entry and exit strokes. Forms are tall and slender with compact counters, a relatively low x-height, and lively ascenders/descenders that create a vertical, dancing rhythm. Stroke terminals are sharp and pointed rather than rounded, with intermittent swashes and looped constructions in letters like g, y, and several capitals. Overall spacing feels light, with narrow letterforms that rely on contrast and curving strokes to carry texture across a line.
Best suited to invitations, event stationery, beauty and boutique branding, short headlines, and packaging where a refined handwritten feel is desirable. It performs especially well at larger sizes where the hairlines and interior details can remain crisp, and where its tall, narrow rhythm can add elegance without overwhelming a layout.
The tone reads polished and slightly playful—like formal penmanship with a flirtatious twist. Its dramatic contrast and looping gestures suggest romance, boutique charm, and a hint of vintage theatricality. In longer lines it maintains a breezy, decorative flow rather than a utilitarian text voice.
Likely designed to evoke expressive, pen-drawn sophistication—combining formal script structure with selective flourishes to create a distinctive, upscale display voice. The intent appears to balance legibility with ornamental contrast, offering a graceful texture for prominent, decorative typography.
Capitals show the most personality, mixing restrained stems with occasional exaggerated curves and hairline cross-strokes. Numerals follow the same calligraphic logic, with curvy figures and thin connecting strokes that feel consistent with the letterforms. The overall rhythm is more display-oriented than body-text oriented due to the delicate hairlines and compact interior spaces.