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Free for Commercial Use

Inline Mihe 12 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, logotypes, packaging, art deco, industrial, vintage, poster-ready, jazz-age, high impact, period evocation, signage feel, graphic texture, brand character, stencil-like, geometric, chunky, carved, decorative.


Free for commercial use
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A heavy, geometric display face built from solid, blocky forms that are split by crisp internal cut lines. Many glyphs feature a central vertical void or notch-like breaks that create an inline/stencil impression while keeping the overall silhouette bold and compact. Curves are broadly rounded and simplified, with squared terminals and minimal stroke modulation, giving the letterforms a machined, architectural feel. The rhythm is driven by strong verticals and repeated internal slits, producing a high-impact texture in both capitals and lowercase, with lining figures that follow the same cut-out logic.

Best suited to display settings such as posters, headlines, event flyers, signage, and branding where its bold silhouettes and inline cut details can be appreciated. It also works well for packaging and labels that benefit from a vintage-industrial voice, especially when used at larger sizes with generous tracking.

The font conveys a bold, period-tinged character reminiscent of early 20th-century signage and display typography. Its carved-in breaks and monolithic shapes feel industrial and theatrical at once, suggesting nightlife marquees, classic posters, and stylized branding with a slightly dramatic edge.

The design appears intended to deliver maximum impact through simplified geometric construction and a signature internal cut motif that adds character without relying on contrast. It prioritizes a memorable, era-informed display look over continuous-text readability, functioning as a decorative headline tool with a strong graphic identity.

The internal cut lines are consistent across the set and become a prominent pattern at text sizes, so spacing and word shapes read more as graphic texture than conventional text color. The design is especially striking in all-caps and short phrases where the repeated slits and rounded counters can form strong, emblem-like wordmarks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸