Sans Other Wizu 2 is a bold, wide, very high contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, esports, album covers, futuristic, racing, techno, edgy, dynamic, convey speed, signal tech, create impact, add texture, differentiate branding, slashed, segmented, forward-leaning, angular, speedlines.
A forward-leaning display sans built from heavy, high-contrast strokes that are repeatedly cut by diagonal slashes, creating a segmented, speedline effect across nearly every glyph. Forms are generally wide and rounded at major curves, but tightened by sharp, geometric terminals and abrupt ink breaks that produce strong internal negative spaces. The rhythm is punchy and staccato: thick horizontal masses dominate, while thin connecting strokes and occasional hairline diagonals add tension and a sense of mechanical construction. Counters tend to be compact and sometimes partially enclosed by the slicing, giving letters a distinctly engineered, modular texture.
Best suited to short, high-impact settings where the slashed construction can be appreciated: headlines, posters, event graphics, sports or esports identity, and entertainment packaging. It can work for logos or wordmarks that aim for a sense of speed and technology, and is most effective when given generous size and spacing.
The font reads as fast, aggressive, and synthetic—evoking motorsport, arcade sci‑fi, and late‑20th‑century techno graphics. Its repeated slashes suggest motion, scanning, or interference, adding a charged, slightly disruptive attitude even in ordinary text.
The design appears intended to fuse a clean sans foundation with a consistent diagonal slicing system, prioritizing motion and a technical, performance-driven aesthetic over neutral readability. The goal is likely to create a distinctive, energetic texture that instantly signals speed and modernity in display typography.
The diagonal cut motif is highly consistent across capitals, lowercase, and numerals, making the texture feel intentional rather than distressed. At smaller sizes the internal breaks and thin connectors may visually merge, while at larger sizes the slicing becomes the primary stylistic feature and adds strong visual energy to headlines.