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Slab Monoline Tuza 4 is a light, very narrow, medium contrast, reverse italic, normal x-height font.

Keywords: headlines, posters, packaging, book covers, branding, quirky, retro, bookish, hand-drawn, whimsical, distinctive voice, retro display, editorial character, playful serif, compact setting, slab serif, tilted axis, tall x-height, condensed, spiky serifs.


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A condensed slab serif with a consistent, monoline-like stroke weight and a gently skewed, reverse-leaning stance. Serifs are prominent and somewhat wedgey, with small flares and tapering terminals that give strokes a slightly cut, inked feel rather than a purely geometric construction. Curves are narrow and verticalized, counters are tight, and joins often show subtle asymmetry that adds a handmade rhythm. The lowercase maintains a fairly tall body with compact ascenders/descenders, while numerals and capitals keep the same narrow, upright structure with crisp slab endings.

Best suited to headlines and short-to-medium text where its condensed proportions and distinctive reverse-leaning personality can be appreciated. It works well for posters, packaging, book covers, and branding that aims for a vintage or offbeat editorial flavor. In small sizes or dense UI text, the narrow counters and strong vertical texture may call for careful sizing and spacing.

The overall tone is quirky and retro, reminiscent of printed ephemera and lightly irregular display typography. Its reverse slant and spiky slab details create a playful tension—formal enough to read as a serif, but eccentric enough to feel characterful and boutique. It reads as friendly and slightly oddball rather than corporate or purely literary.

The design appears intended to merge slab-serif sturdiness with a deliberately quirky, reverse-tilted posture, producing a memorable display serif that still remains readable in paragraphs. Its restrained stroke weight and consistent construction suggest an emphasis on clarity, while the irregular terminals and lively curves supply personality for expressive typography.

In text, the narrow width and strong slab terminals create a pronounced vertical texture, with noticeable rhythm from the tilted axis and the lively, slightly uneven curvature. The ampersand and punctuation match the same cut-paper, inked sensibility, helping the face hold a distinctive voice even in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸