Sans Superellipse Oslaj 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Nuber Next' by The Northern Block, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, confident, industrial, friendly, impact, clarity, approachability, brandability, rounded, compact, blocky, geometric, clean.
A heavy, geometric sans with rounded-rectangle construction throughout. Curves read as superelliptical rather than purely circular, giving bowls and counters a squared-off softness. Strokes are consistently thick with minimal modulation, terminals are largely blunt, and overall proportions feel compact with sturdy verticals and broad caps. Lowercase forms are straightforward and utilitarian; single-storey shapes and open apertures keep the texture clear at display sizes, while the numerals match the same solid, monoline rhythm.
Best suited to display typography such as headlines, posters, logos, packaging, and signage where a strong, compact silhouette and consistent weight are desirable. Its sturdy, rounded geometry also works well for UI labels or short marketing copy when you want impact without harsh edges.
The font communicates a modern, assertive tone with a friendly edge from its softened corners. It feels pragmatic and engineered—confident and no-nonsense—while still approachable rather than sharp or clinical.
Designed to deliver maximum presence with simple, geometric construction and softened corners, balancing strength with approachability. The consistent stroke weight and compact forms suggest an emphasis on clarity and brandable shapes in large sizes.
Spacing and sidebearings appear tuned for strong headline color: dense but not cramped, producing an even, dark typographic mass. The rounded squareness is especially noticeable in bowls and shoulders, which helps the design stay cohesive across caps, lowercase, and figures.