Sans Faceted Ipge 7 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, branding, posters, headlines, logotypes, futuristic, techy, angular, geometric, cryptic, geometric stylization, sci‑fi tone, system consistency, display impact, faceted, chamfered, modular, stenciled, hard-edged.
A sharply angular, faceted sans built from straight strokes and chamfered joins, with curves consistently replaced by planar corners. Strokes are monoline in feel, with rounded terminals used sparingly and most ends cut cleanly at angles. Counters skew toward diamonds and teardrop-like polygons, and diagonals play a strong role in shaping bowls and shoulders, creating a crisp, chiseled rhythm across the alphabet. Uppercase forms read as geometric signage-like constructions, while the lowercase mirrors the same polygonal logic with simplified, open shapes and compact apertures; numerals follow the same faceted geometry.
Best suited to display settings where its faceted geometry can be appreciated: brand marks, posters, packaging, game titles, UI headings, and short editorial headlines. It can work for brief text blocks at comfortable sizes, but its angular apertures and stylized counters make it most effective when given space and contrast.
The overall tone is modern and synthetic, evoking sci‑fi interfaces, techno branding, and coded or rune-like lettering without becoming fully ornamental. Its hard edges and consistent cornering give it a purposeful, engineered character that feels brisk and slightly enigmatic.
This font appears designed to translate a geometric, planar construction into a readable sans, prioritizing a consistent faceted system over traditional curves. The intent seems to be a distinctive contemporary voice—clean and minimal in stroke, but bold in silhouette—aimed at modern, tech-forward communication.
The design relies on repeated motifs—angled corners, diamond counters, and straight-sided bowls—so words create a distinctive zig-zag texture. The faceting introduces a subtle stencil-like impression in places, and some glyphs lean on asymmetry to keep forms legible while maintaining the geometric system.