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Serif Flared Rynim 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AC 1928' by Antoine Crama; 'AG Royal' by Berthold; 'Aspira', 'Innova', and 'Neutro' by Durotype; 'Conamore' by Grida; and 'Halifax' by Hoftype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, editorial, confident, friendly, classic, vintage, display impact, brand voice, editorial presence, warm authority, flared, bracketed, ball terminals, soft curves, heavy weight.


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A heavy, sturdy serif with flared stroke endings and gently bracketed terminals that soften the overall mass. Curves are full and rounded (notably in C, O, S, and the lowercase bowls), while joins and inner counters stay clean and open for a dense display feel. Serifs and terminals often finish with subtle, wedge-like expansion rather than flat slabs, giving stems a tapered, sculpted look. Details like the ball/teardrop forms in the lowercase and the distinctive Q tail add personality without disrupting an even, consistent rhythm across the set.

Best suited to display settings where weight and character matter: headlines, magazine openers, book jackets, posters, and brand marks. It can also work for short bursts of text such as pull quotes, packaging copy, or section headers where its bold rhythm and distinctive terminals can carry the page.

The font reads bold and assured with a warm, approachable tone. Its flared terminals and rounded shaping suggest a classic, slightly nostalgic editorial voice—more personable than austere—while still feeling authoritative in headlines. The overall impression is robust and declarative, with a friendly softness at the edges.

The design appears intended to deliver strong, high-contrast presence through mass and silhouette while using flared, bracketed terminals to keep the tone warm and readable. Its shapes prioritize a classic serif sensibility with contemporary simplicity, aiming for a memorable, headline-forward voice rather than quiet neutrality.

Uppercase forms are broad and stable with simplified, high-impact silhouettes; the numerals match the same chunky, rounded construction for cohesive titling. The lowercase shows noticeable personality in terminals and dots, which adds charm at larger sizes and helps the face avoid looking purely utilitarian.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸