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Free for Commercial Use

Sans Superellipse Honob 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Bank Sans Caps EF' and 'Bank Sans EF' by Elsner+Flake and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, industrial, sporty, tech, compact, confident, impact, modernize, rugged utility, signage, brand voice, blocky, squared, rounded corners, geometric, stencil-like.


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A heavy, geometric sans built from squared forms with generously rounded corners, giving many letters a superellipse/rounded-rectangle skeleton. Strokes are uniform with minimal modulation, and terminals are mostly flat or softly radiused rather than tapered. Counters tend to be tight and rectangular, with several glyphs showing notched or cut-in joins (notably in S, Z, 2, 3, 5, and 9), which adds a slightly engineered, stencil-like texture. Overall spacing reads sturdy and compact, with wide proportions and a consistent, high-impact rhythm across caps, lowercase, and numerals.

This face performs best in short, bold settings such as headlines, posters, and large-format messaging where its compact counters and cut-in details stay crisp. It also suits branding and packaging that want a modern industrial or athletic flavor, especially when set with ample tracking and clear hierarchy.

The tone is assertive and functional, with a distinctly industrial and sporty character. Its rounded-squared geometry feels modern and technical, while the angular cut-ins add a rugged, utilitarian edge suited to bold messaging.

The font appears designed to deliver maximum impact through simplified, rounded-rectangular construction and uniform stroke weight, while adding recognizability via small engineered notches and squared counters. The overall intent reads as a contemporary display sans optimized for strong silhouettes and confident, sign-like readability.

The design relies on strong corner radii and squared counters to keep shapes coherent at display sizes, and the cut-in details provide character without introducing true contrast or ornament. Numerals follow the same blocky logic, appearing robust and highly sign-like.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸