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Free for Commercial Use

Sans Faceted Akma 3 is a very bold, wide, monoline, upright, tall x-height font visually similar to 'Barakat' by Denustudio (names referenced only for comparison).

Keywords: headlines, posters, logos, gaming, packaging, techno, industrial, futuristic, sci‑fi, arcade, display impact, digital aesthetic, mechanical tone, geometric system, octagonal, chamfered, angular, blocky, geometric.


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A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with octagonal, faceted shapes. Counters are rectangular and tightly controlled, with squared terminals and consistent stroke weight that gives the design a rigid, engineered feel. The letterforms are mostly compact and boxy, with wide-set horizontals and generous internal spacing for such a dense weight, helping maintain clarity in capitals and numerals. Diagonals appear primarily where structurally needed (e.g., K, V, W, X, Y), and they follow the same planar, cut-corner logic as the rest of the set.

This face works especially well for headlines, titles, and branding where a bold, technical look is desired—such as game UI, esports graphics, sci‑fi or industrial posters, product packaging, and signage. Its sturdy shapes and open, rectangular counters help it stay legible at larger sizes and in high-impact applications.

The overall tone is mechanical and assertive, evoking digital hardware, industrial labeling, and retro-futurist display typography. Its sharp facets and squared rhythm create a confident, no-nonsense voice that reads as technical and game-like rather than soft or humanist.

The font appears designed to translate a faceted, polygonal construction into a practical sans for display use, prioritizing strong silhouettes, consistent corner treatment, and a distinctly digital-industrial personality. The systematic chamfering suggests an intention to feel machined and contemporary while remaining readable across a full alphanumeric set.

The design’s identity is driven by consistent chamfers on outer corners and inner joins, producing an immediately recognizable silhouette in both upper- and lowercase. Numerals follow the same angular system, with squared bowls and cut corners that keep them visually aligned with the caps. The sample text shows strong line presence and high contrast against the page, making it best suited to short bursts of copy rather than long, continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸