Print Sokuh 7 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: kids branding, posters, packaging, stickers, headlines, playful, friendly, casual, handmade, youthful, approachability, handmade feel, display impact, friendly tone, playfulness, rounded, bubbly, marker-like, soft terminals, irregular.
A rounded, hand-drawn print with thick, softly tapered strokes and blunted terminals that resemble a felt-tip marker. Letterforms lean on simple geometric cores but keep noticeable irregularities in curve tension, stroke joins, and overall width, giving a lively, human rhythm. Counters are generally open and generous (notably in O, a, e), while some shapes compress or swell unpredictably, reinforcing an organic, variable-width texture. The lowercase is compact and bouncy with short ascenders/descenders and a single-storey a and g; dots are round and prominent, and the numerals follow the same soft, inflated construction.
Well-suited for short, high-impact text such as playful headlines, children’s products, casual packaging, stickers, classroom materials, and social graphics. It also works for friendly signage or menu callouts where a warm, handmade feel is desired; for longer reading, it’s best used at comfortable sizes to preserve clarity in the thick strokes.
The font conveys an approachable, cheerful tone that feels informal and personable, like friendly handwriting used for labels or notes. Its buoyant proportions and rounded contours add warmth and a kid-friendly character, while the heavy marker texture keeps it bold and attention-grabbing without feeling rigid.
The design appears intended to mimic a confident marker-drawn print: legible, rounded, and energetic, prioritizing personality and approachability over strict typographic precision. Its consistent softness and controlled irregularity suggest a goal of creating an inviting, fun display face that still reads clearly.
Caps are clean and readable with simplified constructions (e.g., E and F with rounded arms, M and N with soft peaks), and the overall spacing feels airy despite the thick strokes. Some glyphs show intentional wobble and asymmetry, which enhances charm but makes the texture more expressive than strictly uniform in longer passages.