Print Degog 3 is a light, normal width, medium contrast, upright, very short x-height font.
Keywords: posters, packaging, invitations, children’s, social media, casual, playful, hand-drawn, friendly, quirky, human warmth, informality, handmade feel, expressiveness, brushy, organic, loose, rounded, irregular.
A loose, hand-drawn print style with subtly brushy strokes and gently tapered terminals. Letterforms show intentionally uneven rhythm and variable stroke pressure, creating a lively texture across words and lines. Proportions are compact in the lowercase with small counters and simplified joins, while capitals are taller and more open, giving headings a buoyant, sketch-like presence. Curves are softly rounded and slightly asymmetric, and spacing feels natural rather than mechanically even.
Works well for short-to-medium text where a friendly, hand-rendered feel is desirable—posters, casual branding, packaging callouts, invitations, and social graphics. It can also suit children’s or craft-themed materials where an imperfect, human touch supports the message. For dense body copy, its irregular rhythm is better used as an accent rather than a primary text face.
The overall tone is approachable and informal, like quick marker or brush-pen lettering. Its slight wobble and individualized shapes read as human and conversational, adding warmth and a bit of whimsy without becoming overly decorative. The texture suggests spontaneity and a relaxed, personal voice.
Designed to capture the character of quick, natural handwriting in an unconnected print form, emphasizing warmth and authenticity over strict consistency. The goal appears to be a versatile, informal display voice that feels personal and lightly expressive while remaining generally readable.
The set shows noticeable glyph-to-glyph personality—some letters lean toward more angular strokes (notably diagonals), while others stay round and open, which adds charm but also increases visual variety in longer passages. Numerals follow the same drawn rhythm, with simple, readable constructions and modest contrast between thick and thin strokes.