Sans Superellipse Ukbas 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Canby JNL' and 'Metalform Gothic JNL' by Jeff Levine, 'Fremont Coffee' by Komet & Flicker, and 'Goldana' by Seventh Imperium (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, sports graphics, industrial, sporty, techy, assertive, utilitarian, impact, space-saving, modern utility, systematic geometry, condensed, rounded corners, square forms, stencil-like, modular.
A compact, heavy sans with squared, superellipse-inspired counters and consistently rounded corners. Strokes are uniform and blocky, with tight apertures and short, flat terminals that create a modular, almost engineered texture. Curves resolve into rounded-rectangle geometry rather than true circles, and interior spaces (especially in O, D, P, R, and 8) read as squared bowls. The rhythm is dense and vertical, with strong straight stems and simplified joins that keep letterforms crisp and high-contrast against the page despite the tight spacing.
Best suited to short, high-impact settings such as headlines, posters, packaging, and signage where dense, compact letterforms help maximize presence in limited space. It also fits sports graphics, product marks, and UI callouts that benefit from a sturdy, engineered feel and clear alphanumeric consistency.
The overall tone is strong and functional, with a sporty-industrial edge. Its compact width and squared curves suggest modern machinery, equipment labeling, and bold signage rather than soft or editorial sophistication. The voice is direct and commanding, optimized for impact.
The design appears intended to deliver maximum visual punch in a condensed footprint while maintaining a unified rounded-rectangular construction across letters and numbers. Its simplified geometry and uniform stroke weight prioritize bold legibility and a modern, utilitarian aesthetic.
Numerals and capitals share the same squared, rounded-rectangle construction, giving mixed alphanumeric strings a cohesive, uniform look. The lowercase follows the same geometric logic, producing a consistent “caps-forward” presence in text and a compact, poster-like color on the line.