Sans Faceted Idluj 10 is a very light, normal width, low contrast, upright, normal x-height font visually similar to 'Kairos Sans' by Monotype (names referenced only for comparison).
Keywords: ui labels, tech branding, posters, headlines, wayfinding, technical, futuristic, architectural, precise, minimal, geometric system, interface styling, sci‑fi mood, drafting feel, monoline, octagonal, geometric, angular, wireframe.
A monoline geometric sans built from straight strokes and clipped corners, replacing curves with small chamfers that create an octagonal, faceted silhouette. Strokes maintain an even, hairline weight and a clean, open rhythm, with generous internal space in counters despite the angular construction. Terminals are crisp and mostly flat, and many round letters (C, G, O, Q, S, 0) read as polygonal forms, while diagonals (V, W, X, Y) stay sharp and clean. Lowercase follows the same faceted logic with single-storey forms and compact bowls; numerals are similarly constructed, with an angular 2 and 3 and an octagonal 8/0 structure.
This font suits display and short-to-medium text where a technical, engineered voice is desired—such as UI labels, dashboards, product branding, posters, and science/technology themed editorial. It also works well for wayfinding-style titling and schematic captions where angular, polygonal forms reinforce an industrial aesthetic.
The faceted geometry and thin, consistent strokes convey a technical, futuristic tone reminiscent of plotted drawings, industrial labeling, and sci‑fi interface typography. Its crisp corners and schematic feel read as precise and engineered rather than friendly or humanist.
The letterforms appear intended to translate a geometric, faceted construction system into a clean sans voice, prioritizing consistency of stroke and corner logic over traditional curves. The goal seems to be a precise, modern look that evokes drafting and digital interfaces while remaining legible in typical headline and label sizes.
The design mixes strict geometry with slightly varied letter widths, helping words form a steady rhythm while keeping individual glyphs distinctive. The uppercase has a tall, linear presence, and the lowercase maintains clarity through open apertures and simplified joins, especially noticeable in the angled, cut-corner bowls.