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Sans Superellipse Olmer 1 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Dean Gothic' by Blaze Type, 'Highman' by Eko Bimantara, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'NATRON' by Posterizer KG (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, assertive, condensed, posterish, utility, impact, space-saving, modern utility, display clarity, brand presence, rounded corners, squarish bowls, tall caps, compact apertures, blocky.


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A condensed, heavy sans with squared-off proportions and generously rounded corners that push many curves toward superelliptic, rounded-rectangle shapes. Strokes are monolinear with minimal modulation, producing a dense, even color and a strong vertical rhythm. Counters are relatively tight and openings are compact, while terminals tend to be blunt and softly squared rather than sharp. The overall geometry reads as tall and sturdy, with simplified joins and robust forms that stay consistent from caps to lowercase and numerals.

This style performs best in short, high-impact settings such as headlines, posters, packaging, and signage where a compact footprint and strong presence are desirable. It can also work for logos, labels, and UI callouts that need a sturdy condensed sans, while longer passages may feel dense at smaller sizes.

The font projects a bold, no-nonsense tone with an industrial, poster-forward energy. Its compact, tall shapes feel authoritative and pragmatic, leaning more utilitarian than friendly while still softened by rounded corners. The result is a confident voice suited to attention-grabbing messaging and controlled, modern branding.

The design appears intended to deliver maximum punch in a narrow width while maintaining legibility through clear, simplified shapes and consistent stroke weight. Rounded-rectangle construction suggests an aim for a modern, engineered look that feels both sturdy and refined, balancing hard structure with softened corners for versatility in display use.

In text settings the tight spacing and dense counters create a strong typographic block, emphasizing impact over airiness. Rounded corners help prevent the heavy weight from feeling brittle, and the numerals match the same compact, squared geometry for a cohesive headline palette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸