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Free for Commercial Use

Inline Abmo 5 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, book covers, invitations, editorial, certificates, classic, formal, engraved, literary, elegant, add ornament, premium feel, classic readability, engraved look, serif, inline detail, transitional, bracketed serifs, ball terminals.


Free for commercial use
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A serif typeface with a traditional, bookish structure and an inline cut running through the strokes, giving each letter a subtly engraved, dimensional finish. Proportions feel fairly balanced with moderate widths and a steady rhythm, while the lowercase maintains a conventional x-height and readable counters. Serifs are bracketed and crisp, and terminals occasionally resolve into small ball-like details, adding a refined, slightly decorative punctuation to stems and joints. The inline is consistently placed across rounds and straights, producing a clear “carved” effect without pushing the design into extreme contrast or fragile hairlines.

Works best for display and short-to-medium text settings where the inline engraving can be appreciated—headlines, pull quotes, book and magazine covers, event programs, invitations, and certificate-style layouts. It can also serve editorial typography when set with comfortable size and leading to keep the carved detail from becoming visually busy.

The overall tone is classical and composed, like lettering intended for print and heritage contexts, with an added ornamental polish from the inline treatment. It suggests formality and tradition, while the carved interior line brings a subtle sense of craft and ceremony.

The design appears intended to pair a familiar, classical serif foundation with an engraved inline that adds distinction and premium character. The goal seems to be a typeface that remains readable and orthodox in structure while signaling a crafted, decorative finish suitable for formal and heritage-leaning design.

The inline detail reads especially clearly in larger sizes and in the numerals, where the internal channel creates a strong graphic signature. In dense paragraphs the ornament becomes more of a texture, so spacing and size choices will influence whether it feels like a gentle refinement or a prominent stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸